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◈ Twelfth Night, Or What You Will (십이야) ◈
◇ Act I ◇
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1. Act I, Scene 1

1
DUKE ORSINOs palace.
 
2
[Enter DUKE ORSINO, CURIO, and other Lords; Musicians attending]
 
3
Orsino.
4
      If music be the food of love, play on;
5
      Give me excess of it, that, surfeiting,
6
      The appetite may sicken, and so die.
7
      That strain again! it had a dying fall:
8
      O, it came o'er my ear like the sweet sound,
9
      That breathes upon a bank of violets,
10
      Stealing and giving odour! Enough; no more:
11
      'Tis not so sweet now as it was before.
12
      O spirit of love! how quick and fresh art thou,
13
      That, notwithstanding thy capacity
14
      Receiveth as the sea, nought enters there,
15
      Of what validity and pitch soe'er,
16
      But falls into abatement and low price,
17
      Even in a minute: so full of shapes is fancy
18
      That it alone is high fantastical.
19
Curio.
20
      Will you go hunt, my lord?
21
Orsino.
22
      What, Curio?
23
Curio.
24
      The hart.
25
Orsino.
26
      Why, so I do, the noblest that I have:
27
      O, when mine eyes did see Olivia first,
28
      Methought she purged the air of pestilence!
29
      That instant was I turn'd into a hart;
30
      And my desires, like fell and cruel hounds,
31
      E'er since pursue me.
32
      [Enter VALENTINE]
33
      How now! what news from her?
34
Valentine.
35
      So please my lord, I might not be admitted;
36
      But from her handmaid do return this answer:
37
      The element itself, till seven years' heat,
38
      Shall not behold her face at ample view;
39
      But, like a cloistress, she will veiled walk
40
      And water once a day her chamber round
41
      With eye-offending brine: all this to season
42
      A brother's dead love, which she would keep fresh
43
      And lasting in her sad remembrance.
44
Orsino.
45
      O, she that hath a heart of that fine frame
46
      To pay this debt of love but to a brother,
47
      How will she love, when the rich golden shaft
48
      Hath kill'd the flock of all affections else
49
      That live in her; when liver, brain and heart,
50
      These sovereign thrones, are all supplied, and fill'd
51
      Her sweet perfections with one self king!
52
      Away before me to sweet beds of flowers:
53
      Love-thoughts lie rich when canopied with bowers.
 
54
[Exeunt]
 
 

2. Act I, Scene 2

1
The sea-coast.
 
2
[Enter VIOLA, a Captain, and Sailors]
 
3
Viola.
4
      What country, friends, is this?
5
Captain.
6
      This is Illyria, lady.
7
Viola.
8
      And what should I do in Illyria?
9
      My brother he is in Elysium.
10
      Perchance he is not drown'd: what think you, sailors?
11
Captain.
12
      It is perchance that you yourself were saved.
13
Viola.
14
      O my poor brother! and so perchance may he be.
15
Captain.
16
      True, madam: and, to comfort you with chance,
17
      Assure yourself, after our ship did split,
18
      When you and those poor number saved with you
19
      Hung on our driving boat, I saw your brother,
20
      Most provident in peril, bind himself,
21
      Courage and hope both teaching him the practise,
22
      To a strong mast that lived upon the sea;
23
      Where, like Arion on the dolphin's back,
24
      I saw him hold acquaintance with the waves
25
      So long as I could see.
26
Viola.
27
      For saying so, there's gold:
28
      Mine own escape unfoldeth to my hope,
29
      Whereto thy speech serves for authority,
30
      The like of him. Know'st thou this country?
31
Captain.
32
      Ay, madam, well; for I was bred and born
33
      Not three hours' travel from this very place.
34
Viola.
35
      Who governs here?
36
Captain.
37
      A noble duke, in nature as in name.
38
Viola.
39
      What is the name?
40
Captain.
41
      Orsino.
42
Viola.
43
      Orsino! I have heard my father name him:
44
      He was a bachelor then.
45
Captain.
46
      And so is now, or was so very late;
47
      For but a month ago I went from hence,
48
      And then 'twas fresh in murmur,as, you know,
49
      What great ones do the less will prattle of,
50
      That he did seek the love of fair Olivia.
51
Viola.
52
      What's she?
53
Captain.
54
      A virtuous maid, the daughter of a count
55
      That died some twelvemonth since, then leaving her
56
      In the protection of his son, her brother,
57
      Who shortly also died: for whose dear love,
58
      They say, she hath abjured the company
59
      And sight of men.
60
Viola.
61
      O that I served that lady
62
      And might not be delivered to the world,
63
      Till I had made mine own occasion mellow,
64
      What my estate is!
65
Captain.
66
      That were hard to compass;
67
      Because she will admit no kind of suit,
68
      No, not the duke's.
69
Viola.
70
      There is a fair behavior in thee, captain;
71
      And though that nature with a beauteous wall
72
      Doth oft close in pollution, yet of thee
73
      I will believe thou hast a mind that suits
74
      With this thy fair and outward character.
75
      I prithee, and I'll pay thee bounteously,
76
      Conceal me what I am, and be my aid
77
      For such disguise as haply shall become
78
      The form of my intent. I'll serve this duke:
79
      Thou shall present me as an eunuch to him:
80
      It may be worth thy pains; for I can sing
81
      And speak to him in many sorts of music
82
      That will allow me very worth his service.
83
      What else may hap to time I will commit;
84
      Only shape thou thy silence to my wit.
85
Captain.
86
      Be you his eunuch, and your mute I'll be:
87
      When my tongue blabs, then let mine eyes not see.
88
Viola.
89
      I thank thee: lead me on.
 
90
[Exeunt]
 
 

3. Act I, Scene 3

1
OLIVIAS house.
 
2
[Enter SIR TOBY BELCH and MARIA]
 
3
Sir Toby Belch.
4
      What a plague means my niece, to take the death of
5
      her brother thus? I am sure care's an enemy to life.
6
Maria.
7
      By my troth, Sir Toby, you must come in earlier o'
8
      nights: your cousin, my lady, takes great
9
      exceptions to your ill hours.
10
Sir Toby Belch.
11
      Why, let her except, before excepted.
12
Maria.
13
      Ay, but you must confine yourself within the modest
14
      limits of order.
15
Sir Toby Belch.
16
      Confine! I'll confine myself no finer than I am:
17
      these clothes are good enough to drink in; and so be
18
      these boots too: an they be not, let them hang
19
      themselves in their own straps.
20
Maria.
21
      That quaffing and drinking will undo you: I heard
22
      my lady talk of it yesterday; and of a foolish
23
      knight that you brought in one night here to be her wooer.
24
Sir Toby Belch.
25
      Who, Sir Andrew Aguecheek?
26
Maria.
27
      Ay, he.
28
Sir Toby Belch.
29
      He's as tall a man as any's in Illyria.
30
Maria.
31
      What's that to the purpose?
32
Sir Toby Belch.
33
      Why, he has three thousand ducats a year.
34
Maria.
35
      Ay, but he'll have but a year in all these ducats:
36
      he's a very fool and a prodigal.
37
Sir Toby Belch.
38
      Fie, that you'll say so! he plays o' the
39
      viol-de-gamboys, and speaks three or four languages
40
      word for word without book, and hath all the good
41
      gifts of nature.
42
Maria.
43
      He hath indeed, almost natural: for besides that
44
      he's a fool, he's a great quarreller: and but that
45
      he hath the gift of a coward to allay the gust he
46
      hath in quarrelling, 'tis thought among the prudent
47
      he would quickly have the gift of a grave.
48
Sir Toby Belch.
49
      By this hand, they are scoundrels and subtractors
50
      that say so of him. Who are they?
51
Maria.
52
      They that add, moreover, he's drunk nightly in your company.
53
Sir Toby Belch.
54
      With drinking healths to my niece: I'll drink to
55
      her as long as there is a passage in my throat and
56
      drink in Illyria: he's a coward and a coystrill
57
      that will not drink to my niece till his brains turn
58
      o' the toe like a parish-top. What, wench!
59
      Castiliano vulgo! for here comes Sir Andrew Agueface.
 
60
[Enter SIR ANDREW]
 
61
Sir Andrew Aguecheek.
62
      Sir Toby Belch! how now, Sir Toby Belch!
63
Sir Toby Belch.
64
      Sweet Sir Andrew!
65
Sir Andrew Aguecheek.
66
      Bless you, fair shrew.
67
Maria.
68
      And you too, sir.
69
Sir Toby Belch.
70
      Accost, Sir Andrew, accost.
71
Sir Andrew Aguecheek.
72
      What's that?
73
Sir Toby Belch.
74
      My niece's chambermaid.
75
Sir Andrew Aguecheek.
76
      Good Mistress Accost, I desire better acquaintance.
77
Maria.
78
      My name is Mary, sir.
79
Sir Andrew Aguecheek.
80
      Good Mistress Mary Accost,
81
Sir Toby Belch.
82
      You mistake, knight; 'accost' is front her, board
83
      her, woo her, assail her.
84
Sir Andrew Aguecheek.
85
      By my troth, I would not undertake her in this
86
      company. Is that the meaning of 'accost'?
87
Maria.
88
      Fare you well, gentlemen.
89
Sir Toby Belch.
90
      An thou let part so, Sir Andrew, would thou mightst
91
      never draw sword again.
92
Sir Andrew Aguecheek.
93
      An you part so, mistress, I would I might never
94
      draw sword again. Fair lady, do you think you have
95
      fools in hand?
96
Maria.
97
      Sir, I have not you by the hand.
98
Sir Andrew Aguecheek.
99
      Marry, but you shall have; and here's my hand.
100
Maria.
101
      Now, sir, 'thought is free:' I pray you, bring
102
      your hand to the buttery-bar and let it drink.
103
Sir Andrew Aguecheek.
104
      Wherefore, sweet-heart? what's your metaphor?
105
Maria.
106
      It's dry, sir.
107
Sir Andrew Aguecheek.
108
      Why, I think so: I am not such an ass but I can
109
      keep my hand dry. But what's your jest?
110
Maria.
111
      A dry jest, sir.
112
Sir Andrew Aguecheek.
113
      Are you full of them?
114
Maria.
115
      Ay, sir, I have them at my fingers' ends: marry,
116
      now I let go your hand, I am barren.
 
117
[Exit]
 
118
Sir Toby Belch.
119
      O knight thou lackest a cup of canary: when did I
120
      see thee so put down?
121
Sir Andrew Aguecheek.
122
      Never in your life, I think; unless you see canary
123
      put me down. Methinks sometimes I have no more wit
124
      than a Christian or an ordinary man has: but I am a
125
      great eater of beef and I believe that does harm to my wit.
126
Sir Toby Belch.
127
      No question.
128
Sir Andrew Aguecheek.
129
      An I thought that, I'ld forswear it. I'll ride home
130
      to-morrow, Sir Toby.
131
Sir Toby Belch.
132
      Pourquoi, my dear knight?
133
Sir Andrew Aguecheek.
134
      What is 'Pourquoi'? do or not do? I would I had
135
      bestowed that time in the tongues that I have in
136
      fencing, dancing and bear-baiting: O, had I but
137
      followed the arts!
138
Sir Toby Belch.
139
      Then hadst thou had an excellent head of hair.
140
Sir Andrew Aguecheek.
141
      Why, would that have mended my hair?
142
Sir Toby Belch.
143
      Past question; for thou seest it will not curl by nature.
144
Sir Andrew Aguecheek.
145
      But it becomes me well enough, does't not?
146
Sir Toby Belch.
147
      Excellent; it hangs like flax on a distaff; and I
148
      hope to see a housewife take thee between her legs
149
      and spin it off.
150
Sir Andrew Aguecheek.
151
      Faith, I'll home to-morrow, Sir Toby: your niece
152
      will not be seen; or if she be, it's four to one
153
      she'll none of me: the count himself here hard by woos her.
154
Sir Toby Belch.
155
      She'll none o' the count: she'll not match above
156
      her degree, neither in estate, years, nor wit; I
157
      have heard her swear't. Tut, there's life in't,
158
      man.
159
Sir Andrew Aguecheek.
160
      I'll stay a month longer. I am a fellow o' the
161
      strangest mind i' the world; I delight in masques
162
      and revels sometimes altogether.
163
Sir Toby Belch.
164
      Art thou good at these kickshawses, knight?
165
Sir Andrew Aguecheek.
166
      As any man in Illyria, whatsoever he be, under the
167
      degree of my betters; and yet I will not compare
168
      with an old man.
169
Sir Toby Belch.
170
      What is thy excellence in a galliard, knight?
171
Sir Andrew Aguecheek.
172
      Faith, I can cut a caper.
173
Sir Toby Belch.
174
      And I can cut the mutton to't.
175
Sir Andrew Aguecheek.
176
      And I think I have the back-trick simply as strong
177
      as any man in Illyria.
178
Sir Toby Belch.
179
      Wherefore are these things hid? wherefore have
180
      these gifts a curtain before 'em? are they like to
181
      take dust, like Mistress Mall's picture? why dost
182
      thou not go to church in a galliard and come home in
183
      a coranto? My very walk should be a jig; I would not
184
      so much as make water but in a sink-a-pace. What
185
      dost thou mean? Is it a world to hide virtues in?
186
      I did think, by the excellent constitution of thy
187
      leg, it was formed under the star of a galliard.
188
Sir Andrew Aguecheek.
189
      Ay, 'tis strong, and it does indifferent well in a
190
      flame-coloured stock. Shall we set about some revels?
191
Sir Toby Belch.
192
      What shall we do else? were we not born under Taurus?
193
Sir Andrew Aguecheek.
194
      Taurus! That's sides and heart.
195
Sir Toby Belch.
196
      No, sir; it is legs and thighs. Let me see the
197
      caper; ha! higher: ha, ha! excellent!
 
198
[Exeunt]
 
 

4. Act I, Scene 4

1
DUKE ORSINOs palace.
 
2
[Enter VALENTINE and VIOLA in man's attire]
 
3
Valentine.
4
      If the duke continue these favours towards you,
5
      Cesario, you are like to be much advanced: he hath
6
      known you but three days, and already you are no stranger.
7
Viola.
8
      You either fear his humour or my negligence, that
9
      you call in question the continuance of his love:
10
      is he inconstant, sir, in his favours?
11
Valentine.
12
      No, believe me.
13
Viola.
14
      I thank you. Here comes the count.
 
15
[Enter DUKE ORSINO, CURIO, and Attendants]
 
16
Orsino.
17
      Who saw Cesario, ho?
18
Viola.
19
      On your attendance, my lord; here.
20
Orsino.
21
      Stand you a while aloof, Cesario,
22
      Thou know'st no less but all; I have unclasp'd
23
      To thee the book even of my secret soul:
24
      Therefore, good youth, address thy gait unto her;
25
      Be not denied access, stand at her doors,
26
      And tell them, there thy fixed foot shall grow
27
      Till thou have audience.
28
Viola.
29
      Sure, my noble lord,
30
      If she be so abandon'd to her sorrow
31
      As it is spoke, she never will admit me.
32
Orsino.
33
      Be clamorous and leap all civil bounds
34
      Rather than make unprofited return.
35
Viola.
36
      Say I do speak with her, my lord, what then?
37
Orsino.
38
      O, then unfold the passion of my love,
39
      Surprise her with discourse of my dear faith:
40
      It shall become thee well to act my woes;
41
      She will attend it better in thy youth
42
      Than in a nuncio's of more grave aspect.
43
Viola.
44
      I think not so, my lord.
45
Orsino.
46
      Dear lad, believe it;
47
      For they shall yet belie thy happy years,
48
      That say thou art a man: Diana's lip
49
      Is not more smooth and rubious; thy small pipe
50
      Is as the maiden's organ, shrill and sound,
51
      And all is semblative a woman's part.
52
      I know thy constellation is right apt
53
      For this affair. Some four or five attend him;
54
      All, if you will; for I myself am best
55
      When least in company. Prosper well in this,
56
      And thou shalt live as freely as thy lord,
57
      To call his fortunes thine.
58
Viola.
59
      I'll do my best
60
      To woo your lady:
61
      [Aside]
62
      yet, a barful strife!
63
      Whoe'er I woo, myself would be his wife.
 
64
[Exeunt]
 
 

5. Act I, Scene 5

1
OLIVIAS house.
 
2
[Enter MARIA and Clown]
 
3
Maria.
4
      Nay, either tell me where thou hast been, or I will
5
      not open my lips so wide as a bristle may enter in
6
      way of thy excuse: my lady will hang thee for thy absence.
7
Feste.
8
      Let her hang me: he that is well hanged in this
9
      world needs to fear no colours.
10
Maria.
11
      Make that good.
12
Feste.
13
      He shall see none to fear.
14
Maria.
15
      A good lenten answer: I can tell thee where that
16
      saying was born, of 'I fear no colours.'
17
Feste.
18
      Where, good Mistress Mary?
19
Maria.
20
      In the wars; and that may you be bold to say in your foolery.
21
Feste.
22
      Well, God give them wisdom that have it; and those
23
      that are fools, let them use their talents.
24
Maria.
25
      Yet you will be hanged for being so long absent; or,
26
      to be turned away, is not that as good as a hanging to you?
27
Feste.
28
      Many a good hanging prevents a bad marriage; and,
29
      for turning away, let summer bear it out.
30
Maria.
31
      You are resolute, then?
32
Feste.
33
      Not so, neither; but I am resolved on two points.
34
Maria.
35
      That if one break, the other will hold; or, if both
36
      break, your gaskins fall.
37
Feste.
38
      Apt, in good faith; very apt. Well, go thy way; if
39
      Sir Toby would leave drinking, thou wert as witty a
40
      piece of Eve's flesh as any in Illyria.
41
Maria.
42
      Peace, you rogue, no more o' that. Here comes my
43
      lady: make your excuse wisely, you were best.
 
44
[Exit]
 
45
Feste.
46
      Wit, an't be thy will, put me into good fooling!
47
      Those wits, that think they have thee, do very oft
48
      prove fools; and I, that am sure I lack thee, may
49
      pass for a wise man: for what says Quinapalus?
50
      'Better a witty fool, than a foolish wit.'
51
      [Enter OLIVIA with MALVOLIO]
52
      God bless thee, lady!
53
Olivia.
54
      Take the fool away.
55
Feste.
56
      Do you not hear, fellows? Take away the lady.
57
Olivia.
58
      Go to, you're a dry fool; I'll no more of you:
59
      besides, you grow dishonest.
60
Feste.
61
      Two faults, madonna, that drink and good counsel
62
      will amend: for give the dry fool drink, then is
63
      the fool not dry: bid the dishonest man mend
64
      himself; if he mend, he is no longer dishonest; if
65
      he cannot, let the botcher mend him. Any thing
66
      that's mended is but patched: virtue that
67
      transgresses is but patched with sin; and sin that
68
      amends is but patched with virtue. If that this
69
      simple syllogism will serve, so; if it will not,
70
      what remedy? As there is no true cuckold but
71
      calamity, so beauty's a flower. The lady bade take
72
      away the fool; therefore, I say again, take her away.
73
Olivia.
74
      Sir, I bade them take away you.
75
Feste.
76
      Misprision in the highest degree! Lady, cucullus non
77
      facit monachum; that's as much to say as I wear not
78
      motley in my brain. Good madonna, give me leave to
79
      prove you a fool.
80
Olivia.
81
      Can you do it?
82
Feste.
83
      Dexterously, good madonna.
84
Olivia.
85
      Make your proof.
86
Feste.
87
      I must catechise you for it, madonna: good my mouse
88
      of virtue, answer me.
89
Olivia.
90
      Well, sir, for want of other idleness, I'll bide your proof.
91
Feste.
92
      Good madonna, why mournest thou?
93
Olivia.
94
      Good fool, for my brother's death.
95
Feste.
96
      I think his soul is in hell, madonna.
97
Olivia.
98
      I know his soul is in heaven, fool.
99
Feste.
100
      The more fool, madonna, to mourn for your brother's
101
      soul being in heaven. Take away the fool, gentlemen.
102
Olivia.
103
      What think you of this fool, Malvolio? doth he not mend?
104
Malvolio.
105
      Yes, and shall do till the pangs of death shake him:
106
      infirmity, that decays the wise, doth ever make the
107
      better fool.
108
Feste.
109
      God send you, sir, a speedy infirmity, for the
110
      better increasing your folly! Sir Toby will be
111
      sworn that I am no fox; but he will not pass his
112
      word for two pence that you are no fool.
113
Olivia.
114
      How say you to that, Malvolio?
115
Malvolio.
116
      I marvel your ladyship takes delight in such a
117
      barren rascal: I saw him put down the other day
118
      with an ordinary fool that has no more brain
119
      than a stone. Look you now, he's out of his guard
120
      already; unless you laugh and minister occasion to
121
      him, he is gagged. I protest, I take these wise men,
122
      that crow so at these set kind of fools, no better
123
      than the fools' zanies.
124
Olivia.
125
      Oh, you are sick of self-love, Malvolio, and taste
126
      with a distempered appetite. To be generous,
127
      guiltless and of free disposition, is to take those
128
      things for bird-bolts that you deem cannon-bullets:
129
      there is no slander in an allowed fool, though he do
130
      nothing but rail; nor no railing in a known discreet
131
      man, though he do nothing but reprove.
132
Feste.
133
      Now Mercury endue thee with leasing, for thou
134
      speakest well of fools!
 
135
[Re-enter MARIA]
 
136
Maria.
137
      Madam, there is at the gate a young gentleman much
138
      desires to speak with you.
139
Olivia.
140
      From the Count Orsino, is it?
141
Maria.
142
      I know not, madam: 'tis a fair young man, and well attended.
143
Olivia.
144
      Who of my people hold him in delay?
145
Maria.
146
      Sir Toby, madam, your kinsman.
147
Olivia.
148
      Fetch him off, I pray you; he speaks nothing but
149
      madman: fie on him!
150
      [Exit MARIA]
151
      Go you, Malvolio: if it be a suit from the count, I
152
      am sick, or not at home; what you will, to dismiss it.
153
      [Exit MALVOLIO]
154
      Now you see, sir, how your fooling grows old, and
155
      people dislike it.
156
Feste.
157
      Thou hast spoke for us, madonna, as if thy eldest
158
      son should be a fool; whose skull Jove cram with
159
      brains! for,here he comes,one of thy kin has a
160
      most weak pia mater.
 
161
[Enter SIR TOBY BELCH]
 
162
Olivia.
163
      By mine honour, half drunk. What is he at the gate, cousin?
164
Sir Toby Belch.
165
      A gentleman.
166
Olivia.
167
      A gentleman! what gentleman?
168
Sir Toby Belch.
169
      'Tis a gentle man herea plague o' these
170
      pickle-herring! How now, sot!
171
Feste.
172
      Good Sir Toby!
173
Olivia.
174
      Cousin, cousin, how have you come so early by this lethargy?
175
Sir Toby Belch.
176
      Lechery! I defy lechery. There's one at the gate.
177
Olivia.
178
      Ay, marry, what is he?
179
Sir Toby Belch.
180
      Let him be the devil, an he will, I care not: give
181
      me faith, say I. Well, it's all one.
 
182
[Exit]
 
183
Olivia.
184
      What's a drunken man like, fool?
185
Feste.
186
      Like a drowned man, a fool and a mad man: one
187
      draught above heat makes him a fool; the second mads
188
      him; and a third drowns him.
189
Olivia.
190
      Go thou and seek the crowner, and let him sit o' my
191
      coz; for he's in the third degree of drink, he's
192
      drowned: go, look after him.
193
Feste.
194
      He is but mad yet, madonna; and the fool shall look
195
      to the madman.
 
196
[Exit]
 
197
[Re-enter MALVOLIO]
 
198
Malvolio.
199
      Madam, yond young fellow swears he will speak with
200
      you. I told him you were sick; he takes on him to
201
      understand so much, and therefore comes to speak
202
      with you. I told him you were asleep; he seems to
203
      have a foreknowledge of that too, and therefore
204
      comes to speak with you. What is to be said to him,
205
      lady? he's fortified against any denial.
206
Olivia.
207
      Tell him he shall not speak with me.
208
Malvolio.
209
      Has been told so; and he says, he'll stand at your
210
      door like a sheriff's post, and be the supporter to
211
      a bench, but he'll speak with you.
212
Olivia.
213
      What kind o' man is he?
214
Malvolio.
215
      Why, of mankind.
216
Olivia.
217
      What manner of man?
218
Malvolio.
219
      Of very ill manner; he'll speak with you, will you or no.
220
Olivia.
221
      Of what personage and years is he?
222
Malvolio.
223
      Not yet old enough for a man, nor young enough for
224
      a boy; as a squash is before 'tis a peascod, or a
225
      cooling when 'tis almost an apple: 'tis with him
226
      in standing water, between boy and man. He is very
227
      well-favoured and he speaks very shrewishly; one
228
      would think his mother's milk were scarce out of him.
229
Olivia.
230
      Let him approach: call in my gentlewoman.
231
Malvolio.
232
      Gentlewoman, my lady calls.
 
233
[Exit]
 
234
[Re-enter MARIA]
 
235
Olivia.
236
      Give me my veil: come, throw it o'er my face.
237
      We'll once more hear Orsino's embassy.
 
238
[Enter VIOLA, and Attendants]
 
239
Viola.
240
      The honourable lady of the house, which is she?
241
Olivia.
242
      Speak to me; I shall answer for her.
243
      Your will?
244
Viola.
245
      Most radiant, exquisite and unmatchable beauty,I
246
      pray you, tell me if this be the lady of the house,
247
      for I never saw her: I would be loath to cast away
248
      my speech, for besides that it is excellently well
249
      penned, I have taken great pains to con it. Good
250
      beauties, let me sustain no scorn; I am very
251
      comptible, even to the least sinister usage.
252
Olivia.
253
      Whence came you, sir?
254
Viola.
255
      I can say little more than I have studied, and that
256
      question's out of my part. Good gentle one, give me
257
      modest assurance if you be the lady of the house,
258
      that I may proceed in my speech.
259
Olivia.
260
      Are you a comedian?
261
Viola.
262
      No, my profound heart: and yet, by the very fangs
263
      of malice I swear, I am not that I play. Are you
264
      the lady of the house?
265
Olivia.
266
      If I do not usurp myself, I am.
267
Viola.
268
      Most certain, if you are she, you do usurp
269
      yourself; for what is yours to bestow is not yours
270
      to reserve. But this is from my commission: I will
271
      on with my speech in your praise, and then show you
272
      the heart of my message.
273
Olivia.
274
      Come to what is important in't: I forgive you the praise.
275
Viola.
276
      Alas, I took great pains to study it, and 'tis poetical.
277
Olivia.
278
      It is the more like to be feigned: I pray you,
279
      keep it in. I heard you were saucy at my gates,
280
      and allowed your approach rather to wonder at you
281
      than to hear you. If you be not mad, be gone; if
282
      you have reason, be brief: 'tis not that time of
283
      moon with me to make one in so skipping a dialogue.
284
Maria.
285
      Will you hoist sail, sir? here lies your way.
286
Viola.
287
      No, good swabber; I am to hull here a little
288
      longer. Some mollification for your giant, sweet
289
      lady. Tell me your mind: I am a messenger.
290
Olivia.
291
      Sure, you have some hideous matter to deliver, when
292
      the courtesy of it is so fearful. Speak your office.
293
Viola.
294
      It alone concerns your ear. I bring no overture of
295
      war, no taxation of homage: I hold the olive in my
296
      hand; my words are as fun of peace as matter.
297
Olivia.
298
      Yet you began rudely. What are you? what would you?
299
Viola.
300
      The rudeness that hath appeared in me have I
301
      learned from my entertainment. What I am, and what I
302
      would, are as secret as maidenhead; to your ears,
303
      divinity, to any other's, profanation.
304
Olivia.
305
      Give us the place alone: we will hear this divinity.
306
      [Exeunt MARIA and Attendants]
307
      Now, sir, what is your text?
308
Viola.
309
      Most sweet lady,
310
Olivia.
311
      A comfortable doctrine, and much may be said of it.
312
      Where lies your text?
313
Viola.
314
      In Orsino's bosom.
315
Olivia.
316
      In his bosom! In what chapter of his bosom?
317
Viola.
318
      To answer by the method, in the first of his heart.
319
Olivia.
320
      O, I have read it: it is heresy. Have you no more to say?
321
Viola.
322
      Good madam, let me see your face.
323
Olivia.
324
      Have you any commission from your lord to negotiate
325
      with my face? You are now out of your text: but
326
      we will draw the curtain and show you the picture.
327
      Look you, sir, such a one I was this present: is't
328
      not well done?
 
329
[Unveiling]
 
330
Viola.
331
      Excellently done, if God did all.
332
Olivia.
333
      'Tis in grain, sir; 'twill endure wind and weather.
334
Viola.
335
      'Tis beauty truly blent, whose red and white
336
      Nature's own sweet and cunning hand laid on:
337
      Lady, you are the cruell'st she alive,
338
      If you will lead these graces to the grave
339
      And leave the world no copy.
340
Olivia.
341
      O, sir, I will not be so hard-hearted; I will give
342
      out divers schedules of my beauty: it shall be
343
      inventoried, and every particle and utensil
344
      labelled to my will: as, item, two lips,
345
      indifferent red; item, two grey eyes, with lids to
346
      them; item, one neck, one chin, and so forth. Were
347
      you sent hither to praise me?
348
Viola.
349
      I see you what you are, you are too proud;
350
      But, if you were the devil, you are fair.
351
      My lord and master loves you: O, such love
352
      Could be but recompensed, though you were crown'd
353
      The nonpareil of beauty!
354
Olivia.
355
      How does he love me?
356
Viola.
357
      With adorations, fertile tears,
358
      With groans that thunder love, with sighs of fire.
359
Olivia.
360
      Your lord does know my mind; I cannot love him:
361
      Yet I suppose him virtuous, know him noble,
362
      Of great estate, of fresh and stainless youth;
363
      In voices well divulged, free, learn'd and valiant;
364
      And in dimension and the shape of nature
365
      A gracious person: but yet I cannot love him;
366
      He might have took his answer long ago.
367
Viola.
368
      If I did love you in my master's flame,
369
      With such a suffering, such a deadly life,
370
      In your denial I would find no sense;
371
      I would not understand it.
372
Olivia.
373
      Why, what would you?
374
Viola.
375
      Make me a willow cabin at your gate,
376
      And call upon my soul within the house;
377
      Write loyal cantons of contemned love
378
      And sing them loud even in the dead of night;
379
      Halloo your name to the reverberate hills
380
      And make the babbling gossip of the air
381
      Cry out 'Olivia!' O, You should not rest
382
      Between the elements of air and earth,
383
      But you should pity me!
384
Olivia.
385
      You might do much.
386
      What is your parentage?
387
Viola.
388
      Above my fortunes, yet my state is well:
389
      I am a gentleman.
390
Olivia.
391
      Get you to your lord;
392
      I cannot love him: let him send no more;
393
      Unless, perchance, you come to me again,
394
      To tell me how he takes it. Fare you well:
395
      I thank you for your pains: spend this for me.
396
Viola.
397
      I am no fee'd post, lady; keep your purse:
398
      My master, not myself, lacks recompense.
399
      Love make his heart of flint that you shall love;
400
      And let your fervor, like my master's, be
401
      Placed in contempt! Farewell, fair cruelty.
 
402
[Exit]
 
403
Olivia.
404
      'What is your parentage?'
405
      'Above my fortunes, yet my state is well:
406
      I am a gentleman.' I'll be sworn thou art;
407
      Thy tongue, thy face, thy limbs, actions and spirit,
408
      Do give thee five-fold blazon: not too fast:
409
      soft, soft!
410
      Unless the master were the man. How now!
411
      Even so quickly may one catch the plague?
412
      Methinks I feel this youth's perfections
413
      With an invisible and subtle stealth
414
      To creep in at mine eyes. Well, let it be.
415
      What ho, Malvolio!
 
416
[Re-enter MALVOLIO]
 
417
Malvolio.
418
      Here, madam, at your service.
419
Olivia.
420
      Run after that same peevish messenger,
421
      The county's man: he left this ring behind him,
422
      Would I or not: tell him I'll none of it.
423
      Desire him not to flatter with his lord,
424
      Nor hold him up with hopes; I am not for him:
425
      If that the youth will come this way to-morrow,
426
      I'll give him reasons for't: hie thee, Malvolio.
427
Malvolio.
428
      Madam, I will.
 
429
[Exit]
 
430
Olivia.
431
      I do I know not what, and fear to find
432
      Mine eye too great a flatterer for my mind.
433
      Fate, show thy force: ourselves we do not owe;
434
      What is decreed must be, and be this so.
 
435
[Exit]
【원문】Act I
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  지식놀이터 :: 원문/전문 > 문학 > 세계문학 > 희곡 카탈로그   목차 (총 : 5권)   서문     처음◀ 1권 다음 영문 
◈ Twelfth Night, Or What You Will (십이야) ◈
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